Jasmine Nicholson

I chose to look at Service/Assistant Dogs and the work they do for those who need support. For example those who suffer with Autism and the support a working dog can bring to change their life. I experimented with drawing using a sewing machine with continuous line drawing to illustrate the "day of the life of an ability dog". I decided to make a working dogs jacket and using a sewing machine illustrate both a sequential narrative of the dog at work and when it is off duty. The jacket would show one side of the dogs life: going to the shops, retrieving objects etc and another: playing, sleeping, being silly etc. A key factor being when they are working, the jacket is visible and when they are not it isn't. Expressing not to disturb a dog while it is working and spreading awareness of what dogs do/what their life is like. I think this could be used in a few different places: on display in a charity shop window, on a working dog, in the training studio or mounted as a poster. Being used to educate those who need it. I really enjoyed my first attempt at illustrating on a machine and felt it successfully presented my sequential image.

Simran Gurung

I have studied the sequence of bee pollination and how crucial it is to our natural world and ecosystem. Using textiles and sewing inspired by the natural, organic process of pollination, I have created a piece portraying the vast power one bee alone holds in the prosperity of our living world, inspired by a powerful statistic included in my image. I have really enjoyed exploring textiles and sewing for the first time across my work, incorporating machine embroidery, hand sewing, tactical composition of fabrics and using the back of my sewing work in some areas to create interesting layers, textures and lines in my image. I think my image could be seen in an educational magazine or online campaign for environmental awareness. Overall, I loved exploring textiles, a medium which is new to me, and feel I have created an impactful, interesting sequential image.

Very Superstitious

Charley Perrio

A collection of British superstitions, fuelled by my own superstitious rituals and beliefs, passed down through generations. Each aspect within the collection explores and celebrates the oddities and quirks within British culture. 

I began to gather old English Superstitions and anecdotes from my leading textual resource: Iona Opie and Moira Tatem’s A Dictionary of Superstitions (1989). Research into object and nostalgia alongside Jessica Roux’s Lucky You zine inspired the form of a collection, showcasing both Britain’s commonplace and lesser-known superstitions. Further exploration into Feng Shui, amulets and symbols led me to create a collection based on an individual’s superstitious possessions within the context of the home. The final outcomes within the collection combine my love for printmaking, textile design and embroidery, inspired by my leading influences: Alice Pattullo, Katie Scott and Ellie Mac Embroidery.

The collection celebrates both good and bad luck in equal measure through prints, textiles and objects associated with the home and personal belongings. I consciously chose to create a collection as I felt this was appropriate in documenting my leading subject matter - British superstitions - with themes of amulets, luck and fate leading back to the object, nostalgia and possessions. Within the final outcomes the combination of text and image is needed to illustrate more obscure superstitions, educating and informing the audience in a light-hearted, satirical manner. The personal aspect and narratives within this project have been significant with developing the final outcomes and has strengthened my viewpoint on the subject matter, making the collection organic and unique.

The Imaginarium

Roshahni Bowerman

Have you ever heard of an animal called the Homiariegris?
With antlers and tiger skin it stands on two feet!

Enter the world of the Imaginarium where the possibilities are endless and the creatures are brought to life.

The Imaginarium is a book filled with wonder and amazement. The book features six collaged creatures that you wouldn’t have seen anywhere else, placing them into the natural world and adding elements that are akin to animals in and around the world. Positioned sequentially in a 24 page ‘bestiary’, each fully illustrated page takes the reader on a journey through the six backstories, highlighting how they live, breathe and eat. Pointing out the differences and similarities of not only the animals which we already know about but also the ones that are hidden in plain sight.

(Click on images to view larger)

I became interested in beasts and animals when I read descriptions of H.P Lovecraft’s creations and began to explore how I would translate descriptions into fully fledged illustrations, enjoying drawing these beasts/animals and began to want to create my own. I was inspired by the work of Hannah Hoch and Lauren Child who use collage within their work to create narratives.

I began creating my own collage creatures by using imagery found within newspapers and magazines, then breathing them to life. I knew that collage was the perfect medium to represent the journey of the creation process because it was unexpected how the final piece would come out. I also wanted to exploit my own artistic ability and see where it would take me. By not only using collage, but also both traditional and digital mediums within my final book, I feel that it allowed me to fulfil the creation of the book with the sole purpose of entertaining the audience, and letting them imagine how the animals could live among them.

Ladybirds

Acrylic ladybird illustrations

For the Research Methodology unit I decided to look into ladybirds as they are my favourite insect and commonly associated with Britain's gardens. With the painting above I wanted to illustrate the delicacy shown through the insects size and features; I chose to do this through the medium of acrylic paint in order to utilise the vivid colours shown on the ladybird's body.

Warhol inspired lino print edit

After researching into the works of Andy Warhol for his use of bright colour and repetition, I decided to experiment with lino printing as it's a medium I had not used before. I used a black ink to print and then scanned the image into photoshop in order to change the colours making the ladybirds bright and bold, juxtaposing the stereotypical colours associated with ladybirds.

                                                                       
As part of my research process I began to look into the decorative pattern of the polka dot - which is my favourite pattern and is a key association to the ladybird. Here I made hanging circular pendants using acetate after being inspired by the artist Olafur Eliasson and his installations highlighting light and circles. I took this notion and combined it with the idea if the ladybird to create this composition with the ladybird painting being shown to hang in suspense within the piece.

               

'Ladybird Interior Collection'

The research into the decorative pattern of the polka dot lead me towards my final outcome 'The Ladybird Collection' where I made a set of four interior accessories: a cushion, lamp, door knobs and wallpaper. Research into a ladybirds habitat portrayed the negative connotations in the media of ladybirds within the home; I wanted to take this idea and turn it into a positive. I made the collection by fabric printing, up cycling and utilising old materials within the home which all had red polka dots and ladybirds making the collection stand out as a whole.

Jaguar - Lucy Ward

Research Methodology on the Jaguar

Continuous Line

For Research Mythology I chose the Jaguar as I wanted to focus on the fur and their tendency to eat the Yage vine which causes them to hallucinate, I combined the two main focuses for my final outcome by making a psychedelic felt piece representing how the jaguar sees itself and its surroundings.

Bears - Florence Mackintosh

For the Research Methodology project I chose to look at bears. To begin the project I did some research into all eight species of bears, before focusing more specifically on the two species I was particularly interested in - the grizzly bear and the moon bear. I was interested in the bear's habitat and did some research on Yellowstone National Park, which involved reading articles and watching documentaries to familiarise myself with the visuals of the landscape and the way in which bears move and behave, as well as visiting the Natural History Museum in London to gather some first-hand research. 

My findings from my research into Yellowstone led me to explore further the relationship between bears and humans. I looked at the long history of bear cruelty, learning about dancing bears within the Romani culture and how, in some parts of the world, the practice of training bears for circuses and the capturing of bears for bile farms is ongoing. I thought about how I could portray the stories of these captured bears and an initial idea I had was to write and illustrate a book for children.

During the process of developing my idea I thought about how some children's books illustrators expand their product further by creating merchandise along side their book. My idea was to create a brand, inspired by the name 'Moon Bear', which had appealed to me visually, particularly for a brand targeted at children. I went on to develop ideas for products I could make for a nursery collection - cushions, babygrows, wallpapers and framed prints. I realised this idea through fabric printing for the cushions and babygrow, and using photoshop to develop designs for the print and wallpaper samples. 

Towards the end of the project my focus became much more visual than contextual. I was interested in the aesthetics of the products I was making - the lines and colours as well as the media and materials. Although the story book was not my final outcome, it was an important part of the process in developing the 'Moon Bear' collection. I would not have been able to do this as successfully without thoroughly researching the subject of bears.

Llama - Emma West

Creating my own Peruvian style patterns

My chosen animal for Research Methodology was the llama! I chose it because of its characteristically quirky and humorous nature and appearance. I was also given the nickname 'llama' a few years ago by my friends (to this day I still don't know why!) - so I figured it would be fun to work with an animal that I had some association with. My initial thoughts on how to approach this project would be gaining more information about them and the environment that they live in, which led me on to researching about Peru and its culture. This also prompted some historical research in the 'Incas' - in which I learnt about the multicolour llama deity 'Urcuchillay' and the importance of textiles in their culture and traditions. From here I experimented with creating my own Peruvian style patterns, and incorporated a lot of vibrant colours into llama drawings - inspired by both Peruvian culture, Andy Warhol's pop art work and the Fauvist movement. 

Through my experiments and cultural research influence I decided to take a textile based route, thinking about how I could use sewing, knitting and other wool based crafts. The five words I chose allowed me to have some real fun with experimentation and idea development, from the beginning of the project I knew that I wanted to create something fun and colourful. The five words I chose were Quirky, Goofy, Proud, Rugged and Colourful, all of which relate to their appearance and characters, as well as cultural roots. 

Embroidery experiments

Using textiles was a really good choice, it allowed me to re-familiarise myself with machine sewing and I got to revisit experimenting with embroidery which I enjoy doing in my spare time. The final pieces turned out exactly how I wanted them to! Together they encompass the five words and summarise the colourful, quirky nature of llamas. The two embroideries feature colourful patterns inspired by Peruvian textiles, displayed within the llamas coats to reflect on their home country and the culture of it. The weave is a physical representation of the llamas rugged coats combined with Peruvian inspired colours, Tulunpi ear decorations and pom poms they are adorned with during festivals. The three googly eye prints are a response to Andy Warhol's 'Marilyn Monroe' print, duplicating and varying colour palettes to create individual characters whilst adding some extra fun and humour to the llamas. 

Final pieces on the wall together!

Pomeranian

I based my methodical research on the breed of dog named, Pomeranian. After informing myself of its interesting history and origins, I began exploring social issues involved in owning a 'Toy' breed, its personality and behaviour. With the Pomeranian being a symbol of fame and decadence, I experimented with different ways I could portray this, considering the use of media, texture and colour. I directed my ideas into screen printing on pillows to conclude and convey the symbolic depiction of social class and fashion of Pomeranians.

Danielle Noakes

Wolves