Showing posts with label etching. Show all posts
Showing posts with label etching. Show all posts

Sunday 5 March 2017

Frogs

For my Research Methodology project, I chose to study frogs. I found them intriguing in the sense that they were considered either cute pets or horrible creatures - there is no in-between. Aside from their reputation, they are very interesting animals and have so many variations. This post shows a sample of my project and my exploration of frogs.

In my research I investigated the things most commonly associated with frogs. I looked at their patterns, their movements and their noises in an attempt to understand them better to find a way to represent them. First, I looked at the distinctive markings of the common frog, the kind you're likely to find in your garden. I experimented with different mediums to find the best way to represent the texture and patterning of a frogs skin. I found watercolour to work particularly well as it had a softer effect that suited the subject.




I also experimented with etching to create the patterns of frog skin. I tried the standard form of etching and found that the pattern edges were too harsh and bold. In the example shown, I used diluted watercolour paint over the dried ink to add a green tint to the etch, adding a little colour. Despite this, the darker patches of the pattern still look harsh. My second etching attempt was much more successful and had a more natural-looking finish. For this plate, I removed the ground for the patterning with a pencil eraser which removed it unevenly and gave the faded outline to the marks. I then treated and inked up the plate as normal and found that the ink collected in the uneven patterns, then forming darker areas on the print which looked great. The print shown is my favourite of those taken from the second plate as it showcases the pattern brilliantly but still maintains as an overall image of a frog.


This next image is of my piece from the mechanical animals workshop. In this session, we were encouraged to create a representation of our chosen animal created out of mechanical elements. In my piece I really wanted to convey the frogs hopping movement in the springs under its feet and the powerful legs crammed with gears and other machinery. The springs might look comical, but they communicate my message well.

In the last image, you can see my piece from the workshop led by guest lecturer My Dog Sighs, inspired by his Free Art Friday initiative. The workshop encouraged students to find a piece of litter and to rework it as a piece of art. Students used cans, bottle caps and scraps of paper for their work. I found a seed from a sycamore tree and thought it looked a lot like a tadpole. I then used acrylic paints to paint the seed as a tadpole, with the markings and a little eye. I think this piece is very effective, and is a good representation of a tadpole.

Tuesday 28 February 2017

The Human - Sam Hely

I decided to be a little different with this project and look into the animal of a human, which is under the umbrella classed as a mammal.
The specific area I decided to look into was that of the brain and how different people can behave in different ways compared to others.  I began by looking in the general structure of the human skull.
This is a charcoal and chalk drawing I produced to represent the skull.

After this point I began to look into the idea of how a murderers brain could be potentially different to that of a person who has not committed a murder, so from here I started exploring the concept of forensic science, in particular, the use of a fingerprint detection.
So from this point I decided that to try and back up the idea of using finger prints, I needed to try this myself.  Using a few different mediums to get the best possible fingerprint print, this image was using the media of lino block ink.

From here i began to explore the idea that there are many films which would include the thoughts of murderers and films that contain murderers, this is where I entered the print room and created an etch.
The etch was from the film A Nightmare on Elm Street and I decided to try and recreate the hand of Freddy Kruger, the infamous dream killer.

My final image comes from the inspiration taken from a workshop with My Dog Sighs.  During the workshop i created a doll that had been savagely attacked, but was left hanging with a suicide note, which left it on a cliffhanger as to whether he committed suicide or was in fact murdered.
After drawing the image into a scratch board, I then uploaded the image into Photoshop and inverted the image and coloured the eyes to try and make the drawing a little more life like.




Wednesday 18 March 2015

Tegan Meredith - Research Methodology - The Hedgehog

For my Research Methodology project I wanted to research hedgehogs. I found them quite gentle creatures that feature often in children's stories as well as being one of the most recognisable woodland creatures in our British wildlife.

                                         
('The Fox and the Hedgehog' stop motion animation I created with Helena Sepehr)

Through thorough research I discovered that the hedgehog is declining quickly in population due to many environmental factors, including fatal attacks from predators.

                                                 
(Created using Charcoal and Adobe Photoshop)

Hedgehogs are vulnerable animals that are only armored by their spines. I wanted to look into how hedgehogs are protected as well as how they are seen in children's story books . This lead me to look into fairy tales and how the Enchanted forest is a place where the vulnerable, innocent character gets lost and found again. 
(Pastel drawing of my interpretation of the Brother's Grimm fairy tale, Hans My Hedgehog)

(Etching of a hedgehog and his Uncanny shadow)

I was inspired by the work of Tim Burton and Dave Mckean to create illustrations that narrate the Uncanny and fear that the hedgehog faces in a world where they are weak, and may perhaps be seen as an unusual creature alone in a frightening habitat.

(Final Piece created from acrylic paint print, clay sculpture, photography and Adobe Photoshop)