Scarabaeidae; Celestial Navigators - Lucy Bertram

Beginning the Research



Extract from the 'Dictionary of Symbols' and watercolour studies

I chose to study the insect family by the name of Scarabaeidae, or most commonly known as the Scarab family. This is a family of beetles that makes up around 10% of all insects and therefore is incredibly wide spread. Some of the most common beetles under the Scarabaeidae term are Dungbeetles, Cockchafers and even the so called 'Thunder bugs' which are drawn to incredibly bright colours during summer. I was fascinated by this super family and began my research by finding a dictionary definition of 'Scarab' and exploring a few different ways to portray the most widely known type of scarab. Within my research, one thing that would crop up every few passages was their connection to the ancient Egyptians, whom believed that the Scarabs had eternal life, reincarnated through the balls of dung they would roll. They were often depicted in images laced with gold and therefore I chose to do the same thing, use golden paint to highlight certain areas of their bodies.



Acrylic paintings with Liquid Leaf golden highlights

Celestial Navigation



Watercolour and salt painting. Liquid leaf golden highlights

After completing some further research by contacting Entomologist, Moya Burns, I discovered that this super family had the ability to Navigate using the stars, which is something that utterly fascinated me. I researched how we, as humans could achieve the same thing. Scarabs navigate differently to us, they are able to do so using the milky way but, we as humans rarely have strong enough eyes to do this without technical support.

Developing the Final Piece

During a tutorial I realised that the thing I wanted to depict about these creatures was my fascination with their navigation skills, this brought me to the Victorian circus posters which often promised the experience to see something never seen before, something spectacular, when in reality the shows weren't as exciting as promised. I felt the same about these Scarabs, they had an amazing ability but, if faced with one, it would be far smaller than expected and probably wouldn't move whilst you were there. I wanted to use this to my advantage and set out to produce an A2 poster that promised grandeur.

The Final Piece



Final A2 poster.

The final piece was completed in 4 different stages, the painting of the actual base, the adding in of the celestial chart through photoshop, the printing onto an A2 sheet and then the addition of the golden paint. Almost entirely central in this piece is the star Polaris which is the brightest and most northern point in our skies within the northern hemisphere. The gold bands around the scarabs shell represent the equator which separates the northern and southern hemisphere so that there is no confusion about whether the two constellations (which represent how we, as humans can navigate using the night sky) are connected to one another.

Saffron Wain- Deer

This project was focused around animals within the theme of Shakespeare. I focused on deer because of the mythos and themes surrounding them and I was interested to know what kind of direction Shakespeare use them in.

I discovered that Shakespeares focus on deer was the hunting of stags, as that was a common sorting event of the time. However, the hunting lead to other themes, such as the pity one gets for the hunting of a deer; for example in Hamlet the line "let the stricken deer go weep" references the great pity that comes from a deer's tears.

Deer's tears were actually seen as quite powerful and to actually catch and kill a deer was a great feat. To see a deer shot was fascinating to women of the time and when a hunt had caught their prey it was tradition to cover your hands in the creatures blood (which is used by Shakespeare for reasons other than hunting). All these things come together to show a reverence for deer, an awe almost that is still carried on in modern times as seeing a deer much more rare; probably because they are hunted considerably less.

 This project was also a good way to research the anatomy and build of an animal, as before I had focused my studies on people. I used paper as a way to separate and analyse the body parts of a stag.

I also found it important to study into forested environments, and this was for two important reasons. One, obviously this is where deer live and are found so giving context to the animal was crucial. Secondly, this environment would not have changed since Shakespeare's time, so whether you see deer as rarely seen ethereal creatures or targets for a hunt, you'll be seeing them in the same surroundings that the people of Shakespeare's day did.